The Sales Man
In his 2011 film A Separation, Asghar Farhadi created a gripping and deeply affecting study of how a family unit can disintegrate within Iran's socially conservative culture. It won great acclaim for the realism and sensitivity it brought to bear on complex issues such as honor, familial responsibility and the moral requirements of religion. When “A Separation” capped its global success by becoming the first Iranian film to win an Oscar, Farhadi effectively became an international director, a fact he implicitly acknowledged by making his next film, “ The Past ,” in France. With “The Salesman,” he returns not only to Iran but to some deeply Iranian themes, examining an atavistic tendency even in the most modern-seeming men and pitting that against the compassionate humanism at the core of both secular and religious thought in Iran. The Salesman revisits the same territory that examines the ethical and emotional strains of family life. The film opens s...